Art History Assoc. Prof. at Suffolk Uni., Boston. Publications: "Abstraction & the Classical Ideal" (Uni. of Delaware Press, 2006), “Alexander Cozens’s New Method” (Art Bulletin 79, no. 1, Mar 1997).
Art History
El Lissitzky’s iconic propaganda poster, “Beat the Whites with the Red Wedge,” merges abstract Suprematist aesthetics with revolutionary ideology, symbolizing the Bolshevik Red Army’s fight against the White Russians through bold geometric composition.
Art History
Kazimir Malevich revolutionised modern art with Suprematism, leaping from Cubism to radical abstraction. His 1915 masterpiece 'Black Square' and dynamic compositions like 'Airplane Flying' ushered in a new era of non-objective art and spiritual exploration.
Art History
Vladimir Tatlin’s visionary Monument to the Third International blended art, architecture, and ideology into a towering symbol of early Soviet utopianism—an unrealized masterpiece that shaped Constructivism and modernist art in profound, enduring ways.
Art History
Monet’s Impressionism redefined realism—not by capturing detail, but by rendering pure visual sensation. This essay explores how his brushwork and color reshaped our understanding of perception, light, and the act of seeing itself.
Art History
Pierre-Auguste Renoir’s Study: Torso, Effect of Sun challenged traditional notions of colour in art. By capturing the shifting hues of light on skin, Renoir and the Impressionists defied academic norms, provoking both criticism and admiration.
Art History
Monet and Degas transformed traditional art through unconventional vantage points and spatial compositions. Their works challenged academic norms, presenting a more dynamic, lived experience of the modern world and redefining realism in art.
Art History
Claude Monet’s 'Impression, Sunrise' exemplifies Impressionism with its focus on light and atmosphere over detail. Initially ridiculed, it named the movement and highlighted fleeting moments and middle-class leisure in art.